She was most famous as a talent-spotter and benefactor to young British designers. She championed McQueen after buying his entire graduate collection in 1992, and discovered and nurtured the milliner Philip Treacy, whose elaborate hats became her trademark. She also discovered the models Sophie Dahl and Stella Tennant.
From 1997 to 2001, she was fashion director of the Sunday Times Style magazine, where I was her assistant. Her distinctive tuberose scent heralded her arrival at News International's drab offices in east London, if you didn't spot one of her Treacy hats on the horizon first. This was the signal to apply lipstick and high heels - according to Isabella, wearing jeans and trainers was a sackable offence. Often, because of the rush, lipstick would end up on my teeth or halfway down my chin, but this was fine because that was Isabella's look, too.
When her expenses became too inflated, she agreed to use the underground instead of taxis, and found that she enjoyed it. I would meet her at the station to show her the back route to the office - it was a daily worry that the sight of her, in stilettos, furs, perhaps her one-legged trouser suit and hat, would cause a road accident on the main dual carriageway.
Isabella - or Izzie, as she was known - said that her love of fashion came from her grandmother, Lady Vera Delves Broughton, a photographer, explorer and hunter. The family had lived at Doddington, a castle with 35,000 acres of land in Cheshire, since the 14th century, but it was sold to pay off her grandfather's gambling debts and, as a child, Isabella could see the castle only from her family's cottage on the estate. Her parents never got over the death of their only son - a two-year-old who Isabella saw drown in the family swimming pool - and she told me they had seemed to lose interest in her and her sisters.
Born in London, she was sent to Heathfield school, in Ascot, Surrey. When she was 14, her mother announced she was leaving the family, shook her hand and said goodbye; Isabella rarely saw her after that. Her father, Sir Evelyn Delves Broughton, remarried. When he died in 1993, he left her £5,000 of his £6m fortune. She was never good at holding on to money, despite lucrative advertising deals and consultancies (notably with Swarovski; she was the driving force behind the reinvention of the crystal company), because her generosity was enormous.
After A-levels and a secretarial course, she took odd jobs, such as cleaning. Even then, she would fashion a dishcloth into an elaborate hat to keep her hair out of her face. She moved to New York in 1979 to study Chinese art at Columbia University. In 1981, she married Nicholas Taylor, but they divorced two years later. Her friend the musician Bryan Ferry introduced her to Anna Wintour, editor of American Vogue, who hired her as her assistant.
She became part of the avant-garde New York scene and was friends with Andy Warhol, Roy Lichtenstein and Jean-Michel Basquiat. She came back to London in 1986 as assistant to the then Tatler fashion director, Michael Roberts. In 1993 she went to British Vogue, and after the Sunday Times returned to Tatler as fashion director.
In 1989, she met her second husband, Detmar Blow, a lawyer and later an art dealer. When they married at Gloucester Cathedral, she wore a headdress commissioned by the then-unknown Treacy, which marked the start of their friendship.
Isabella's appearance - Wallis Simpson as envisaged by Salvador Dalí - at the front row of fashion shows became as eagerly awaited as the collections themselves. She once wore a jewel-encrusted lobster on her head, and on another occasion an outfit, inspired by Joan of Arc, which included a heavy, oily chain that she dragged behind her. Afterwards, she visited Karl Lagerfeld at his Paris home and dragged the dirty chain all over his plush cream carpets.
At a lunch with Nicholas Coleridge, managing director of Condé Nast, she wore a pair of antlers covered in a heavy black lace veil. When he asked how she would able to eat, she said: "Nicholas, that is of no concern to me whatsoever."
Towards the end of her life, Isabella had become as recognisable as the designers and young artists she championed. The Design Museum held an exhibition in 2002 entitled When Philip Met Isabella, celebrating the relationship between Treacy and his muse. In 2004, she had a cameo appearance in the film The Life Aquatic With Steve Zissou.
She is survived by Detmar and a considerable hat collection.
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